disciplines, including acoustic and electronic music in various media formats, as well as the
creation and performance of contemporary music.
She occasionally takes an improvisation-based approach, focusing on expressing her current
musical conflicts and integrating the potential of her cultural heritage into musical
compositions and performances. Her current research explores sensor-based gestural
interaction in performance and practice, focusing on the intersection of movement, sound, and
technology in live electroacoustic music.
Peter Hutter is an audiovisual artist from Graz. He works performatively, installatively and interdisciplinary with time-based and generative media. His audiovisual works are characterized by the use of contrasts: between organic bodies and cool geometry, real image and generative elements, aesthetics and glitch. The artist is interested in the formation and dissolution of structures, the juxtaposition and connection of dualistic content and their interactions.
In 2012, he received the ASIFA Best Austrian Animation Award for the animated film “Tekno Kabaret” and has since worked on various video and animation projects, video installations, interactive AV projects and as a VJ and composer of electronic music. His focus is increasingly on audiovisual live performances. In 2024, he presented the immersive live performance “Symptoms”, describing an abstract life form in search of its structure with its overall visual and sonic-spatial composition.